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The author:(作者)归海一刀published in(发表于) 2014/3/24 3:47:08 Talk about difficult master of Ministry of culture asked in power not to be heavy-handed art
People's daily (by staff reporter Zhang Ran) caught up with the cultural development of the "best period in history", but also had to face the cultural "growing pains", people's publishing house, today announced the availability of cultural hot spots in face to face, Minister of culture CAI went straight to the point, the Executive power development and less intervention in the arts, in order to promote the literary masters emerged.
To be issued in the first authoritative voice
In the cultural hot spots in face to face, he may say so hot is just where problems and contradictions, he noted that: "in the face of hot issues, not at a critical moment and critical juncture in silence, to be issued in the first authoritative voice, and actively respond to social concerns, social stability is expected. ”
Had State-owned arts groups is the perennial problem of cultural system, after he became Minister of culture, based on adequate research, identified "a group of five" the reform path, led a group of State Art Institute, after three years of tackling, in 2012 successfully completed phased reforms. In the cultural hot spots in face to face, he summarized their work experiences, considered crucial to the article, is "fully aware of different levels, in different parts of the State-owned arts groups the imbalance of development, fully consider genre features and functionality, not to engage in ' one size fits all. '"
Power of art and less intervention
"It is said that on a yearly basis in more than 20,000 songs, but when number sung by the masses? "" We have hundreds of TV channels across the country, millions of cultural programs, truly rich cultural connotations, noble cultural grade and quality programming percentage? "In the cultural hot spots in face to face, he questions one after another. As culture Minister, he often faced with "why don't our cultural guru" questions. In his view, the outstanding talent to emerge one of the great, is the Executive power development and less intervention in the Arts: "the Government awards to be compressed to a minimum. While actively promoting national culture honor system as soon as possible, a standard set, the concept of change, masters of Arts and culture is just around the corner. ”
"Nationality is the world"
For Christmas, Valentine's day and other "foreign" wildly popular in China, the traditional festivals were snubbed by the Chinese themselves, he has repeatedly expressed its concerns. He is glad to welcome change in real life: "in recent years, we have recognized that, Ching Ming Festival, Dragon Boat Festival, Tanabata Festival, Mid-Autumn Festival, Chung Yeung Festival which traditionally important festivals or public holidays, or because the commercial re attention, various festivals are also increasingly colorful. "In the cultural hot spots in face to face, he said:" national characteristic is the root and the culture, have lost any cultural roots, from the truth, inevitably will wither. ”
(Original title: CAI: first time responding to community concerns)
京华时报讯(记者张然)赶上了文化发展的“史上最好时期”，同时也不得不面对文化“成长的烦恼”，在人民出版社近日推出的《文化热点面对面》一书中，文化部部长蔡武直指要害，行政权力对艺术的发展不要过多干预，才能促使文艺大师的涌现。
要第一时间发出权威声音
在《文化热点面对面》一书中，蔡武直言热点所在往往正是问题和矛盾所在，他指出：“面对热点问题，不能在关键时刻和重要关头沉默不语，要第一时间发出权威声音，积极回应社会关切，稳定社会预期。”
国有文艺院团的改革曾是文化体制改革的老大难问题，蔡武就任文化部部长后，在充分调研的基础上，确定了“五个一批”的改革路径，带领全国国有文艺院团，经三年攻坚，在2012年胜利完成阶段性改革任务。在《文化热点面对面》一书中，蔡武总结其工作心得，认为关键的一条，就是“充分认识不同层级、不同地区国有文艺院团发展的不平衡性，充分考虑各种艺术门类的特点和功能，不搞‘一刀切’”。
权力对艺术不要过多干预
“据说现在一年创作歌曲在两万首以上，但是真正为广大群众所传唱的有多少首？”“我们全国几百个电视频道，数以千万计的文化节目，真正的有丰富文化内涵、高尚文化品位和品格的节目又占多大比例？”在《文化热点面对面》一书中，蔡武接连发问。作为文化部部长，蔡武经常面对“我们的文化界为什么不出大师”的质问。他认为，杰出人才涌现很重要的一条，是行政权力对艺术的发展不要过多干预：“政府的评奖要压缩到最低限度。同时要积极推动国家文化荣誉制度尽快出台，标准定好了，观念转变了，文化艺术的大师就在眼前。”
力挺“民族的才是世界的”
对圣诞节、情人节等“洋节”在我国广泛流行，中国人自己的传统节日反而受到冷落，蔡武多次表示过担忧。他庆幸现实中可喜的变化：“好在近几年我们已经认识到了这一点，清明节、端午节、七夕节、中秋节、重阳节这些传统重要节日或因为公休、或因为宣传重新受到人们的重视，各种节日活动也日益丰富多彩起来。”在《文化热点面对面》一书中，蔡武指出：“民族特色是民族文化的根和本，任何文化如果丢了根脉、离了本真，必然会枯萎。”
(原标题：蔡武：要第一时间回应社会关切)
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