Why China's domestic animation work much better? "Monkey King" designer road, truth-the Monkey King, Chinese animation, Japan animation-IT information
IT information compared to the Japan anime is concerned, China's domestic animation achievement in small series in recent years does not seem to advance more rapidly than in previous years, will let users keep in mind that classic image is nothing more than the "head strong", "pleasant goat", and after the favorite "big son" or "shukebeita" is simply not get the upper hand.
Chinese cartoon, I'm afraid there is no image than a "Monkey King" more popular. More than half a century ago, produced by Shanghai animation film studio for 4 years of the havoc, as new China's first color animated film, become a monument in the history of Chinese animation.
For the current problems of domestic animation, was founded in December 1959 the monkey original animation team team leader yan Ding Xian wenxiao Lin expressed his views and described its design process of classic image of the Monkey King.
Designed image of the Monkey King, Yan Ding Xian is only 25 years old. He recalled that when the crew requested to the Central School of Arts and crafts, Professor, famous decorative painter featuring design of Forex. Pieces of the old three monkey style, are quite good, but Director Wan Laiming was not too happy with, on the grounds that the first was too comic, second King of stage decoration, the third like a fortress, fine head feathers, not easy to go into animation. Wan Lai-Ming asked then-yan Ding Xian of the original leader in Forex design redesigned on the basis of a Monkey King.
Guests Cui raised his doubts: "now many young people to do commercial films, action films, but if you choose to do the animation, the chances of success are not high. So parents something to do animation of young children now say? ”
" Now turn on the TV, why not much good domestic cartoons? Anxious for success. Now a lot of animation company is not soliciting contributions, without a good book in hand, to find a horse, pull the basket is food, not to collect folk songs, rely on brain imagining. Japan style too much, fail to see Chinese flavor . ”
Yan Ding Xian said China had too many good stories, too many distinctive aesthetic style, Chinese animation to achieve a new transcendence, leading figures, stories, engaging style, vivid animation, four are indispensable . With this, Chinese animation has been fundamental, worry about don't look good.
All in all, "Monkey King" designer believes that China's domestic animation if you want to be successful, based on the Chinese cultural realities, not anxious, in terms of characters, story strength, no worries about Chinese animation does not look good.
为何中国国产动漫好作品不多？“美猴王”设计者道真相 - 孙悟空,中国动画,日本动画 - IT资讯
IT资讯讯 相较于日本动漫而言，中国国产动画在近几年的成就在小编看来并不比前几年进步神速，能让网友记住的经典形象无非于“光头强”、“喜羊羊”等，这与90后喜爱的“大头儿子”、“舒克贝塔”而言完全不占上风。
提起中国动画片，恐怕再没有一个形象比“美猴王”更深入人心。半个多世纪前，上海美术电影制片厂历时4年制作的《大闹天宫》，作为新中国第一部彩色动画长片，成为中国动画史上的丰碑。
针对目前国产动漫存在的问题，成立于1959年12月的《大闹天宫》摄制组原动画组组长严定宪与林文肖表达了自己的看法，并阐述了其设计孙悟空经典形象的心路历程。
设计孙悟空形象时，严定宪只有25岁。他回忆说，当年剧组请来中央工艺美术学院教授、著名装饰画家张光宇先生担纲造型设计。张老画了三个孙悟空造型，都相当不错，但导演万籁鸣还是觉得不太满意，理由是第一个太漫画式了、第二个倾向舞台装饰效果、第三个像山寨大王，头顶翎毛细密，不易转成动画。万籁鸣便要求时任原画组组长的严定宪在张光宇造型设计的基础上重新设计一个孙悟空。
在场嘉宾崔永元提出了自己的疑问：“现在很多年轻人在做商业片、动作片，但是如果选择做动画，成功的几率并不高。所以二老有什么话想对现在做动画的年轻孩子说呢？”
“现在打开电视，为什么好的国产动画片不多？急于求成。现在很多动画公司不去组稿，手头没有好的本子，找到一个就上马，拉到篮子就是菜，也不去采风，就靠脑子想象。学日韩风格的太多，看不出中国味道。”
严定宪说，中国有太多好故事、太多富有特色的审美样式，中国动画要实现新的超越，领军人物、精彩故事、吸引人的艺术风格、生动的动画表演，四者缺一不可。有了这些，中国动画就有了根本，不愁不好看。
总而言之，“孙悟空”设计者认为，中国国产动画如果想要成功，立足中国特色文化现实，不要急于求成，在人物形象、故事方面发力，不愁中国动画不好看。