Return of the big fish crabapple and the Church of St: China wind film two flower-Begonia big fish, Chinese style, greater return-IT information
"Begonia hate fragrance free, and hates anchovies spiny, three hate the story unfinished. "Zhang Ai-ling's troubles on China's domestic animation film big fish Begonia, who also set up?
Previously only read a few good poster, incidentally, take a listen to Eason Chan, Zhou Shen sang the song, into the theater. Curiosity killed the cat? Fortunately, the big fish of Begonia Klee was not a reckless trip. Poetic landscape, listen to music floating, behind an audience (sex not identified) sob, not by heart a soft, homeopathic give themselves to the world.
As GE's "Beijing palsy", half lying on the seat, quietly reading the whole screen into a large fish tank, red and blue fish swimming all day long, swam in the order before, Hong Kong Ocean Park seems not so spectacular ... ... More spectacular ending screen after screen of all the preparatory list, reportedly with more than more than 3,000, it follows the film writes history, 100 years after the track was available.
Come to think of the story is simple, but alarmed the heaven. Universe was filled on the screen, clouds hanging sea stand, those little children love, rather cramped pale by comparison. But think of the people in the Chinese landscape painting, but not just ants the size of, say, "I do not know, a deep, the living dead, dead to life", believes love, what is the reason. Ang said at the Shanghai International Film Festival this year: the movie story is false, audience for two hours, to see their own. Mirror shine, as are viewers of their own nature hobby, positions, experience, and so on.
So see big fish Begonia will has different reaction: enthusiastic China domestic anime of, way shake flag cheer; read since media chicken soup paper of, mind in emission "Mary Sue", and "green tea bitch", and "prepared tire King", label; familiar China art history of, rushed found ancient masters painting of traces; heart has Brokeback Mountain of, attention to Vulcan and Akamatsu child of hand led to with; read Red of, certainly remember actress chun of character quite like pumping to Begonia spent signed of "tomboy" Yun; she of to life en, With red mythology, debt is a routine with a tear of vermilion Pearl grass, where the audience shouted, dog blood ... ...
Much less see Miyazaki movies, to tell the thousands than with spirited away. Also China-made animation greater returns, compared to the return of the Holy light, and the big fish Begonia graceful wind, just a soft, wind blossom, China is two.
If also can glimpse of blossom of the film Hua Fei, duanjingtuiyuan, would have been even more worth the ticket price.
《大鱼海棠》与《大圣归来》：中国风电影花开两朵 - 大鱼海棠,中国风,大圣归来 - IT资讯
“一恨海棠无香，二恨鲥鱼多刺，三恨《红楼梦》未完。”张爱玲的烦恼，放到中国国产动画电影 《大鱼海棠》身上，是否也成立？
事先仅看过几张美美的海报，顺带听了陈奕迅、周深演唱的歌曲，便进了影院。好奇会害死猫吗？还好，《大鱼海棠》 的奇幻之旅并非一场冒失之旅。看诗意山水，听仙乐飘飘，在身后一位观众（性别未辨）的抽泣声中，不由心头一软，顺势也把自己交付给了那个世界。
于是如同葛优的“北京瘫”那样，半躺在座椅里，静静看整面银幕变成一个硕大鱼缸，红的蓝的一天到晚游泳的鱼，在面前次第游过，香港海洋公园好像也没这样壮观……更壮观的还有片尾一屏接一屏的众筹名单，据说有三千多位，便这样跟随电影一起写入史册，一百年后有迹可查。
过后细想故事也简单，却惊动了人间天上。银幕上满是宇宙洪荒，云垂海立，那些小儿女的情爱，相形之下未免局促苍白。不过想想中国山水画里的人，可不就是蝼蚁一般大小，再说，“情不知所起，一往而深，生者可以死，死可以生”，信者得爱，能有什么道理。也想起李安导演今年在上海国际电影节上说的话：电影故事都是假象，观众看两个钟头，其实看的是自己。揽镜自照，照出的多是观影者自己的秉性嗜好、立场阅历，诸如此类。
因此看《大鱼海棠》会有不同反应：热心中国国产动漫的，一路摇旗助威；熟读自媒体鸡汤文的，脑海里涌出“玛丽苏”、“绿茶婊”、“备胎王”等标签；谙熟中国美术史的，火速发现古代名家书画的痕迹； 心中有断臂山的，留意到祝融与赤松子的手牵到一起；熟读红楼的，当然记得女主角椿的性格颇像抽到海棠花签的“假小子”史湘云；她的以命报恩，与红楼神话里绛珠草的以泪还债是一个套路，哪里就让观众大呼狗血……
更不必说看过宫崎骏电影的，要拿来跟《千与千寻》作比。还有中国国产动画《大圣归来》，相比《大圣归来》的燃点满满，《大鱼海棠》走婉约风，一刚一柔，是中国风的花开两朵。
如果还能从影片里窥见花谢花飞、断井颓垣，就更值回票价了。