Zuojiang, Guangxi petroglyphs on the cultural landscape heritage of success (photo) | petroglyphs _ news
Original title: China's success left the petroglyphs on the cultural landscape heritage
China Youth online Beijing, July 15 (China Youth daily online reporter Jiang Xiaobin ? green) local time on July 15, in Turkey Istanbul meeting of the 40th session of the World Heritage Committee of UNESCO, left the petroglyphs on the cultural landscape heritage is successful, become the 35th World Heritage site, the 49th world heritage also implements inheritance of rock art breakthrough in China. China's world number ranking second in the world.
Cultural landscape is located in the city of Chongzuo City, Guangxi Zhuang Autonomous Region left the petroglyphs, include ningming, Longzhou, in Jiangzhou, fusui County area of 38 paintings paintings, 4,050 image, 109. 5th century BC to the 2nd century AD, ancestors of the Zhuang nationality luoyue people on both sides of the zuojiang River and its tributaries Ming Jiang on the cliffs of more than 200 kilometers, drawing a huge red ochre rock paintings.
New world cultural heritage contained in ningming, Longzhou, in Jiangzhou, fusui County area of 38 paintings paintings, 4,050 image, 109. Among them, as the ningming petroglyphs area maximum, the picture most focused, content-rich. Italy aimanuer·anadi evaluation of prehistoric art history experts, "Guangxi's Hua Shan precipice frescoes, hundreds of meters long picture, that thousands of years ago, they already have their own Temple".
Lan Riyong, Deputy Director of the Office of Guangxi Zhuang Autonomous Region, heritage experts say left the petroglyphs on the cultural landscape are common works of nature and man. Paintings mostly in bend of the River, facing the tall cliff to water, the screen mostly above water 15~100 meters, up to 130 metres, opposite often have an open platform. Pictures for many sideways portrait around a tall, dress special standing squat human form, was the luoyue people, collective primitive religion sacrifice dance scene. Screen drums, percussion instruments remains the local festivals.
"The unification of the ' squat humanoid ' image painting expression and steep, the mystery of the original religious overtones, the Millennium fade paint pigments, show the ancient wisdom of the luoyue people, reflected the social and mental Outlook. "Lan Riyong said.
It is reported that shennongjia in Hubei province to apply for world natural heritage is also in the process of being reviewed.
Responsible editor: Kun Qu SN117
Article keywords:The petroglyphs
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广西左江花山岩画文化景观成功申遗(图)|花山岩画_新闻资讯
原标题：中国左江花山岩画文化景观成功申遗
中青在线北京7月15日电(中国青年报·中青在线记者蒋肖斌)当地时间7月15日下午，在土耳其伊斯坦布尔举办的联合国教科文组织第40届世界遗产委员会会议上，左江花山岩画文化景观申遗成功，成为我国第35项世界文化遗产、第49项世界遗产，也实现了我国岩画类世界遗产零的突破。中国的世界数量继续位居世界第二位。
左江花山岩画文化景观位于广西壮族自治区崇左市，包含宁明、龙州、江州、扶绥三县一区的38个岩画点、109处岩画、4050个图像。公元前5世纪至公元2世纪，壮族先民骆越人在左江及其支流明江两岸200多公里的悬崖峭壁上，绘制了巨大的赭红色岩画。
新的世界文化遗产包含宁明、龙州、江州、扶绥三县一区的38个岩画点、109处岩画、4050个图像。其中，以宁明县花山岩画单位面积最大、画面最集中、内容最丰富。意大利史前艺术史研究专家埃玛努尔·阿纳蒂曾评价，“广西花山崖壁画，数百米长的画幅，说明几千年前他们已经有了自己的圣殿”。
广西壮族自治区申遗办专家办公室副主任蓝日勇说，左江花山岩画文化景观是自然与人的共同作品。岩画点大都位于江河的拐弯处，面向来水的高大峭壁上，画面大多距水面15~100米，最高130米，对面往往有开阔的台地。画面多为众多侧身人像围绕着一个形象高大、装束特殊的正身蹲式人形，是当时骆越人举行原始宗教祭祀集体歌舞的场面。而画面上的铜鼓，至今仍是当地人节庆日使用的打击乐器。
“其高度统一的‘蹲式人形’图像表达方式、险峻的作画位置、神秘的原始宗教色彩、千年不褪色的作画颜料等，都充分展示了古骆越人的聪明才智，反映了当时的社会生活和精神风貌。”蓝日勇说。
据悉，湖北神农架申请世界自然遗产也正在评审过程中。
责任编辑：瞿崑 SN117
文章关键词： 花山岩画
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