Special for the 3D version of the Bourne 5 were boycotted, user: ruined movies-Bourne 5, Bourne, 3D movies-IT information
Midnight in Greece, Molotov left street is full of fire, Jason? Byrne quickly shuttled between the crowd of demonstrators and riot police, continue to detour, from the CIA's track. In an abandoned bus was caught up with Jason only to meet the enemy, fighting back. A last resort, he also stole a police motorcycle ... ...
Believes the recent release of the Bourne 5 friends will be impressed with this chase. When this screen after you add 3D effects, handheld camera brings fierce picture jitter, quickly jumps through the screen character feature and environmental features, not only destroy the 3D stereo, which originally belonged to the aggressive style of the tabs cannot be reflected. The gloomy picture with 3D glasses after the mask, becoming dark, dingy adding strong visual fatigue caused by shaking, people frequently play.
Yes, this is a "China Special Edition" of 3D movies. Through the latter part of 3D conversion, some only dimensional version of the film in a foreign country when introduced into 3D film. Regardless of the subject matter is appropriate, anyway, I just show the 3D version, you see.
3D special effects here, no longer serve the plot, but growing strongly at the box office. Tens of thousands of large number of cinema, there are d and no 3D version of the differences may have caused hundreds of millions of Yuan at the box office drop. That it was ridicule, box office figures of 44 billion yuan last year, thanks in a large part of the credit to 3D. This great 3D movie with Chinese characteristics, is the industry dubbed "the special 3D".
"Special for the 3D" comes from
Compare released the FY-3 in Macao this year, IP Man 3 and other Chinese-made movies you'll find similar movies, films are only plot, not much can show levels and three-dimensional grand scenes, 3D effects, we can even say that there is no. "Only the subtitle d effects" argument is not at all like jokes.
This is because the shooting for the movie did not take into account at the beginning of seat distribution, actors and other issues that needs to be redesigned when shooting in 3D, is filmed in a traditional 2D manner, and then transformed into 2D-d screen. One "pseudo 3D movie" was born.
Heavenly splendor special effects company responsible for the Tangshan earthquake, searching Dragon drive and other post-production of the film, its Deputy General Manager Wang Xuan said: 2014 domestic film 3D conversion offer, typically around 60,000 yuan per minute. The $ 10,000 price level and Hollywood/min flat.
A 100 minutes in length of 2D movie conversion for 3D movies, measured according to the price, but spent 6 million Yuan. This price is for an investment of hundreds of millions of little for big production. Meanwhile, today's Chinese-made large if not embarrassed to call myself a large 3D versions.
The so-called "special for the 3D" and follow the "pseudo 3D", but sources from the Chinese-made large-for introduction large. Cat eye films offers films, shows, many foreign films such as the transcendental hacker, overseas only dimensional version, but in order to cater to the tastes of the Chinese market like 3D, launched 3D versions of digital printed format, is worthy of China "specials".
The other hand, in the introduction of the current income system, 14 additional quota requirements for 3D or IMAX version of the film. Cinemas in profit driven by nature, only special 3D games, completely without regard whether 3D special effects contribute to the movie screen narrative, caused a lot of bad moviegoing experience to the audience. The release of the Bourne 5 again stirring up controversy stems from this special 3D.
Turn 3D, made hundreds of millions of
Under the current revenue models, a movie's box office except the 3.3% the special sales tax and 5% movie career after special funds, the remaining theaters and grossing cinema reserves for 57%, and producers and distributors usually get at 43%. Cinemas and theaters will not only get more revenue through the box office, and many cinemas 3D cost is very low.
City or village cinemas in the city some two or three lines in order to cut costs, even cheaper Chinese-made projector, projector lamp life will soon expire, serious shortage of brightness followed anyway. Pseudo 3D source and a bad showing conditions can get shit movie-viewing experience, and all this is based on 3D movies high fares.
Industry experts estimate, one-d version of the movie show, than regular 2D version on one-third income. According to the en Arts think tank, 3D movies, average fares out of 2D movie about 5 Yuan (the difference in one or two cities significantly larger), such as the 3D version of the mermaid in the domestic average fare is about 36.6, wtri version only released the old gun average fares at 31.5 Yuan.
Viewing trips to the mermaid eventually reached 92.42 million people, this means that the 3D conversion for a total box office revenue of 460 million Yuan. Millions of investment may bring billions of box-office receipts, such a good business so that every later jealous.
Stop talking, doing 3D for anti-piracy?
Le film Han Zhang, General Manager at home only to interpret the chills 2-d versions shown--to fight piracy. "The Beijing meet Seattle 2, suffered heavy losses because of the piracy, released on the first day out of the HD versions, although we found out which theaters, is preparing to sue them, but losses are irreparable. ”
Writers Xiao bei, theaters forced special 3D behavior bordering on scam robbery, anti-piracy is not a pseudo-3D square abduction of audiences watching 3D and especially reason. "Anti-piracy is not the audience to sacrifice my body comfortable and healthy for the capitalists to carry mine Ah! We can't because of the beriberi was forced to amputate! ”
Yes, with what viewers have been forced to see special 3D movies? Rigorous actions against piracy with specials-d, this is two different things. Studios and theaters should respect the choices to viewers with multiple needs, especially not to those who are not suitable for 3D special effects films strong push in 3D format.
News 24th, the Bourne 5, produced by universal pictures said in a statement, is working with film and China issued two organisations, as soon as possible to provide viewers with more 2D games. A temporary victory for the audience, but this does not reverse the theaters tend to prefer 3D. If in the future similar specials-d again, the boycott is to resist, it will be a long process of struggle.
This summer's box-office slide has sounded a warning for the films of the great leap forward in the past year, if just blundering blindly pursue box office numbers, to the neglect of quality control as well as enough respect for audience interest. In the end, the candle is probably one of exuberant speculators.
《谍影重重5》特供3D版遭抵制，网友：彻底毁了电影 - 谍影重重5,谍影重重,3D电影 - IT资讯
午夜的希腊，街头满是投掷燃烧瓶留下的火堆，杰森?伯恩快速穿梭于示威的人群与防暴警察之间，不断迂回、躲避中央情报局的追踪。在一辆废弃的公交车里，被追上的杰森只能迎接敌人，发起反击。迫不得已，他还抢来一辆警用摩托车……
相信看过最近上映的《谍影重重5》的朋友都会对这段追逐戏印象深刻。可当这段画面加上3D特效后，手持镜头带来激烈的画面抖动、画面在人物特写与环境特写间快速跳切，不仅破坏掉3D画面的立体感，原本属于该作标签式的凌厉画风也无法体现出来。本就昏暗的画面加上3D墨镜的遮罩后，变得黯黑无比，昏暗加晃动造成强烈的视觉疲劳，让人频频出戏。
是的，这又是一部“中国特供版”的3D电影。通过后期的3D转制，一些在国外只有2D版本的电影引进时摇身一变，成了3D电影。无论题材是否合适，反正我只放映3D版本，你爱看不看。
这里的3D特效，不再服务于剧情，而是沦为票房增长的大力丸。对观影人数动辄千万的大片而言，有3D与没有3D版本的区别可能造成上亿元的票房落差。以至于有人吐槽，去年440亿元的票房数字，有很大一部分功劳要归功于3D。这种极具中国特色的3D电影，被业界戏称为“特供3D”。
“特供3D”怎么来的
比较今年上映的《澳门风云3》、《叶问3》等中国国产大片，你会发现类似的影片全片只有剧情，没有多少可以展现层次与立体感的宏大场面，3D效果实在一般，甚至可说没有。“只有字幕有3D特效”的说法一点都不像是段子。
这是因为电影在拍摄之初就没有考虑机位分布、演员走位等在3D拍摄时需要重新设计的问题，还是按照传统的2D方式拍摄，再把2D画面转制成3D画面。一部“伪3D影片”就此诞生。
特效公司天工异彩负责过《唐山大地震》、《寻龙诀》等片的后期制作，其副总经理王璇曾表示：2014年国内电影的3D转制报价，通常在6万人民币/分钟。这个价格水平基本和好莱坞的1万美元/分钟持平。
一部长度在100分钟的2D电影转制为3D电影，按上述价格来算，不过花费600万元。这个价钱对于一部动辄投资上亿的大制作来说简直微乎其微。同时，如今的中国国产大片如果不出3D版本都不好意思叫自己是大片。
所谓的“特供3D”也是遵循上述“伪3D”的处理，只不过片源由中国国产大片换为引进大片。猫眼电影提供的影片资料显示，不少国外引进的影片如《超验骇客》，在海外只有2D版本，却为了迎合中国市场喜好3D的口味，推出3D版本的数字洗印格式，名副其实的是“中国特供”。
另一方面，在当前的引进片分账制度下，新增的14部配额影片要求为3D或IMAX版本。院线在逐利天性的驱动下，只安排特供3D的场次，全然无顾3D特效是否有助于电影的画面叙事，给观众造成诸多不良的观影体验。此次《谍影重重5》的上映重新挑起特供3D的争议便源自于此。
转个3D，多赚几亿
按照现行的分账模式，一部电影的票房除去3.3%的特别营业税及5%的电影事业专项资金之后，剩余影院及院线提留的票房收入比例为57%，而制片方和发行方通常拿到的比例为43%。影院及院线不仅通过票房获取的收益更多，而且很多影院放映3D的成本其实很低。
一些二三线城市或城中村里的电影院为了节省成本，甚至会采用便宜的中国国产放映机，即便放映机的灯泡寿命快到期，亮度严重不足也照用不误。伪3D片源加上糟糕的放映条件，只能换来屎一样的观影体验，而这一切还是建立在3D电影的高票价之上。
业界人士估计，一部电影以3D版本放映，要比普通的2D版本多上三分之一的收入。艺恩智库的数据显示，3D电影的平均票价超出2D电影大约5元左右（这个差距在一二线城市的明显更大），例如3D版的《美人鱼》在国内的平均票价约为36.6元，而只有2D版本上映的《老炮儿》平均票价为31.5元。
《美人鱼》最终的观影人次达到9242万人次，这意味着3D转制能为总票房增加收入4.6亿元人民币。数百万的投资就可能能带来过亿的票房收入，这么好的生意让每一位后来者眼红。
别扯了，做3D是为了反盗版？
安乐影业总经理张晗曾解释《寒战2》在国内只有3D版本上映的原因——为了反盗版。“《北京遇上西雅图2》因为盗版的原因损失惨重，上映的第一天就出了高清版本，虽然我们已经查出了是哪家影院，也正准备起诉他们，但是已经发生的损失却无法挽回。”
在编剧张小北看来，院线强推特供3D的行为近乎于骗钱打劫，反盗版不是片方绑架观众看3D尤其是伪3D的理由。“反盗版不是让观众牺牲自己的身体舒适和健康替资本家去扛雷啊！咱们不能因为有脚气就被迫截肢啊！”
是的，凭什么中国观众就得被逼着看特供3D电影？严厉打击盗版跟特供3D，本就是两码事。制片方与院线应该尊重观众有多元选择的需求，尤其是不要在那些不适合3D特效的类型电影中强推3D制式。
24日晚间传来的消息，《谍影重重5》的出品方环球影业发布公告称，正在跟中影及华夏两家发行机构合作，争取尽快为观众提供更丰富的2D场次。观众取得了暂时的胜利，但这并不会扭转院线偏爱3D的倾向。未来大家如果再遇到类似的特供3D，该抵制的还是要坚决抵制，这将是一个漫长的抗争过程。
今年暑期档的票房下滑已经为过去一年的电影大跃进敲响警钟，如果只是一味浮躁地追求票房数字，而忽视作品质量的把控以及对观众趣味的足够尊重。到最后，得不偿失的可能还是那些一开始兴高采烈的投机者。