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published in(发表于) 2013/12/6 12:15:59
Writers list of Mo Yan’s second， experts say does not affect literature-writers-writer list

CNS, Chengdou, December 6 (reporters and)-"2013 Chinese writers list" announced in 5th. 36 years of fantasy literature writers South to 25.5 million in annual royalty income topped 2012 Nobel literature prize winner Mo Yan to 24 million in the second. Worth noting is that in the published list, purely literary writers ranked number was minimal, Jia pingwa and Chen zhongshi, who reluctantly into the list the last few. Experts say that am the consumer market alone to measure results, not literary standards. Mo Yan even ranked out of the top ten, nor does it affect his position in the literature

　　Fantasy Belles Lettres literary writers into writers ' top rich refraction dilemma?

In the newly released "author list" top writers, fantasy networks article writers is increasing. According to the list of products introduced, through the list to see fantasy literature has become the mainstream of popular literature. By contrast, pure literature writers of at is decreasing.

Pure literature writers collective micro-contemporary Chinese literary reality, many purely literary writers simply cannot gain from writing too many economic gains, many writers have to rely on other occupations to support himself. It is learnt that a writer to produce a 10,000-word short story earns roughly 1000 Yuan to 5,000 yuan, a writer most of the works published in the major journals require 3-6 months long wait, survived several months after the works have often been used.

Return and pay a proportion, probably also result in pure literature in China have become more marginalized, minority is one of the reasons. It made a lot of good gifted writer away from literature, and holding fast to it must rely on willpower, beliefs, and work hard to maintain its other their dreams. This in some ways aggravated the vicious circle of pure literature, literary plight of cause its very difficult to say.

One publisher told Xinhua reporter, Mo Yan in "author list" second position, he received the Nobel Prize for literature has a great relationship with, or sales of his works is worrying. Zhongshan is blunt screenplay writer stone purely literary writers are too poor, shabby income.

　　Critic Bai Ye: the list is not literature standards

This year's "Chinese writers ' rankings" list as in previous years, many skeptical: "hero based on his wealth" is the focus of public debate on this list. Experts pointed out that the writer's own meaning and value lies in creating wealth, material wealth that comes with it is the second. Authors list only books sell better, doesn't mean its strong literary works.

Bai Ye agreed. He said that this list alone royalty-based on market surveys, author rank is measured by market standards, listed writers are distributed in a variety of occupations, and the boundaries of literature are very loose. So you can say "bestseller" or "bestseller list".

Bai Ye believed that this list has value, you can at least see what books are sold, as well as readers ' tastes change. Like imaginary literature popular network before, remains popular after a physical book, suggesting that readers of literature to read changes in demand.

But Bai Ye pointed out, the lists are and Belles Lettres has much less. Belles Lettres is a "circle" of literature, if measured by the market, never ranked near the top. If you want to measure a writer from a literary perspective, he was concerned about the extent of works was the total number of such.

Bai Ye say, purely serious literature is literature or "niche" best-seller sales are meaningless. "This list is not a literary standard. Mo Yan even ranked out of the top ten, nor does it affect his position in the literature. ”

　　中新网成都12月6日电(上官云)“2013第八届中国作家富豪榜”于5日揭晓。36岁的幻想文学作家江南以2550万的年度版税收入位居榜首，2012年诺贝尔文学奖得主莫言则以2400万位居第二。值得注意的是，本次公布的榜单中，纯文学作家上榜人数极少，贾平凹、陈忠实等人勉强排入榜单最后几位。专家表示，榜单是消费市场衡量的结果，不是文学标准。莫言即便是排名出了前十，也不影响他在文学上的地位

　　幻想文学作家成作家榜首富 折射纯文学窘境？

　　在最新公布的“作家富豪榜”上榜作家中，玄幻类网文作家日益增多。据该榜单的出品方介绍，通过该榜单能看到幻想文学现在已经成为通俗文学的主流。与之对照，纯文学作家上榜人数则日趋减少。

　　纯文学作家的集体式微正是当下中国的文学现实，众多纯文学作家根本不能从写作中得到太多的经济收益，很多作家必须靠其他职业养活自己。据悉，一个作家创作一部一万字短篇小说收入大致在1000元至5000元，而一名作家要在各大刊物上发表作品大多需要经过3至6个月的漫长等待，熬过数月之后，作品还经常不被采用。

　　回报与付出不成比例，大概也是造成中国纯文学日趋边缘、小众的原因之一。它让很多出色的极具天赋的写作者远离了文学，而坚守者就必须靠毅力、信念、以及其他工作艰难维持自己的写作梦想。这在某种程度上加重了纯文学的恶性循环，造成其难以言说的文学困局。

　　一位出版人告诉中新网记者，莫言能够位居“作家富豪榜”第二的位置，与他获得诺贝尔文学奖有很大关系，否则他的作品销量实在堪忧。编剧作家石钟山更是直言纯文学作家太穷，收入很寒酸。

　　评论家白烨：榜单不是文学标准

　　今年的“中国作家富豪榜”榜单仍然与往年一样，遭受诸多质疑，“以财富论英雄”是公众对此榜单争论的焦点。有专家指出，作家本身的意义和价值在于创造精神财富，随之而来的物质财富则是第二位的。作家上榜只能说明作品销路较好，并不代表其作品文学性就强。

　　白烨对此表示赞同。他说，这个榜单是依据市场版税调查得出的，衡量作者排名的是市场标准，上榜作家多分布于各种职业，与文学的边界都很松散。因此可称“畅销书排行榜”，或“畅销书作家排行榜”。

　　白烨认为，这份榜单自有价值所在，至少可以从中看出哪些书畅销，以及读者阅读趣味的变化。比如虚构类文学之前走俏网络，出实体书后仍然受欢迎，这说明读者对文学阅读需求的变化。

　　同时白烨指出，这份榜单与纯文学关系不大。纯文学是一种“圈子化”的文学，如果以市场标准衡量，排名永远无法靠前。如果要从文学角度衡量一个作家，应该看此人被关注的程度，作品被借阅次数等。

　　白烨说，纯文学或严肃文学本来就属“小众”，与畅销书比销量毫无意义。“这个榜不是文学标准。莫言即便是排名出了前十，也不影响他在文学上的地位。”

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